Broken at Love «

44. That one of the “realest” moments conjured up by M. Seles during the course of the narrative comes totally out of nowhere in Book 2, when Maya calls home and talks to her dad, and he says he’s fine, only she can tell by his voice that he’s hurt his back again, and she knows this will knock the wind out of his struggling lawn-mowing business, and she’s suddenly desperately worried about making money.
45. That the first time you read it, this scene maybe almost made you cry a little bit, because the heart does not keep to a clock.
via Broken at Love «.

Manalo, matalo, panalo parin | SLAMonline Philippines

Loved this article about Croatia vs Philippines!
Laban Pilipnas Puso!!!
 
“Di ko nga alam kung bakit ko ginagawa eh, pero lahat ng makita kong kakilala, sinasabihan ko ng ‘Hoy manood kayo ng Gilas ah!’ Kala mo naman kasali ako sa team.” ‘Yan yung sinabi sa akin ng kaibigan kong si Ben Ullado habang nagmamaneho kami papunta sa bar kung saan magkikita ang buong college barkada namin para panoorin ang National Team natin labanan ang Croatia. Si Ben Ullado. Nagtatrabaho sa bangko. Walang kinalaman sa PBA, o sa Gilas, o sa TV network na magpapalabas ng laro. Si Ben Ullado. Kapitbahay ko mula nung limang taong gulang palang ako. Kaklase ko mula grade school. Kaliwete sa babae at sa basketball. Kakampi ko sa varsity sa UPLB. Yung Ben Ullado na inupakan yung sarili niyang kakampi sa liga kasi sinahod ako, na kalaban nila. Wala siyang maisip na magandang dahilan para ipaliwanag niya ang pag-imbita niya sa mga kamag-anak at katrabaho niya na buksan ang mga TV nila, ibahin ang mga plano at panoorin ang isang laro ng basketball. Pero ginawa parin niya. “Parang duty ko sa bayan brad eh.”
via Manalo, matalo, panalo parin | SLAMonline Philippines.
 
 

rePost::Critic After Dark: Un condamné à mort (A Man Escaped, Robert Bresson 1956)

Have to check this out one of these days

 
Escape Plan
(Plot discussed in close detail)
Who’d have thought Bresson, he of the austere aestheticism and rigorous philosophy, could make such an effective thriller as A Man Escaped? That opening sequence of Lt. Fontaine about to attempt a break from a car is as superbly timed and edited–with the suspense stretched out into a thin, taut wire–as anything from Kurosawa or Eisenstein.
Bresson’s visual style couldn’t be more fitting for the setting–the whole movie is focused on the title character, in a series of tight medium shots and close-ups. The camera is trained on him, and since he operates in such a small space, it rarely strays elsewhere. The impression of claustrophobic confinement is thus emphasized, even magnified–about an hour of the way through you dearly wish for a shot of a tree, of the sky, of something outside the prison walls, which Bresson refuses to grant (the final shots are of more walls, glimpsed through thick fog, and at night). A voiceover keeps you constantly inside Fontaine’s head, telling you what he thinks and feels with direct simplicity.
via Critic After Dark: Un condamné à mort (A Man Escaped, Robert Bresson 1956).

Censor or Unfriend

I am very animated when I write about things that enrage me and I often time resort to cursing.

I’ve been recently told by someone to delete a post with cursing.

Not gonna happen.

I’d rather unfriend someone than censor myself.

Budget deficit remains on track for six-year low | MSNBC

As we discussed in May, the federal government recently raised taxes and cut spending, which invariably means a smaller deficit. This remains a basic budgetary truism that Republicans continue to resist. Indeed, last year, when top marginal rates increased on households making more than $400,000 a year, a variety of GOP lawmakers argued that this would likely cause the deficit to go up – as they saw it, higher taxes on the wealthy would slow growth, which would mean fewer jobs, which would mean fewer people paying income taxes, which would mean a larger deficit. And we now know they were wrong – again – though this will probably do nothing to shake the Beltway perception of the GOP as the “fiscally responsible” party. Let’s also note that the shrinking deficit – we’re seeing the fastest reduction since the end of World War II – is also one of the nation’s best-kept secrets. It was just last year when an independent national poll asked Americans whether they thought the deficit was increasing, decreasing, or staying about the same. Only 6 percent of the country recognized reality. That’s not a typo; it was just 6 percent. The fact remains, however, that the annual budget deficit is on track this year to have shrunk by about $900 billion since President Obama took the oath of office. Responding to the news today, a Republican spokesperson for the House Budget Committee told The Hill, “Too many families are living paycheck to paycheck, and if this report is any indication, things aren’t getting much better. We need to get spending under control, so we can build a healthy economy and expand opportunity for everyone in this country.” It’s the sort of quote that helps capture everything that’s wrong with the debate over the deficit. If the economy is struggling, the GOP argument goes, it’s imperative that Congress take capital out of the system and reduce demand. By most sane measures, that’s bonkers, but Republicans won’t let their uninterrupted streak of being completely wrong get in the way of ridiculous rhetoric.
via Budget deficit remains on track for six-year low | MSNBC.

breaking news | Philstar Mobile:'Rurouni Kenshin: Kyoto Inferno' tops Philippine box office

CLAP CLAP
 
MANILA, Philippines – “Rurouni Kenshin: Kyoto Inferno” topped the Philippine box-office with P42.61 million in five days, from its first day of screening last August 20 to 24.
The movie captured the “All-Time Biggest Opening Weekend” for a Japanese film and its opening figure has surpassed the lifetime gross of the first “Rurouni Kenshin” movie, which earned P40.4 illion in its overall run in 2012.
“This is a phenomenal bow for `Rurouni Kenshin: Kyoto Inferno,’ one that surely exceeded even our aggressive estimates,” says Francis Soliven, general manager of Warner Bros. (F.E.), Inc. which locally distributed the film.
“We’d like to thank the loyal fans of the franchise for their unwavering support and offer our congratulations to director Keishi Otomo and the cast led by Takeru Satoh, Emi Takei and Munetaka Aoki. The aforementioned talents graciously helped promote the film when they visited here for the Asian Premiere three weeks ago. We have no doubt that their visit enabled us to launch the film in the best way possible,” he added.
Posting the biggest receipts was SM Megamall with P2.39 million over five days, while Trinoma was second with P2.16 million, and SM Cebu at third with P1.62 million.
via breaking news | Philstar Mobile.