Category: rePosts

It’s 0325 AM and after spending 14 hours in the office a few hours with the daily commute, some television, anime and Friday Night Lights I have to say that I am writing because it’s as if it is the only way I can grasp at things that seem to loom over me.
 
I watched Les Mis with Angela at GB1 the second week it was showing and it contributed to less than optimal viewing experience. We now had the people who didn’t want to be left out, people who don’t like musicals but disdain being not in the loop more. This is probably why during less frantic times I liked watching movies the first showing of the morning time. It’s during these times that you find more people in the front row center where I love sitting and less of the back people who more often than not are really out on a date, not really caring what was showing. It is with this mellow sometimes disrespectful audience that I watched Les Mis.
 
I’d have to say that I understand that the self imposed limitations and rules that Tom Hooper chose pleased a lot of people I just happen to not be one of those people. See, I believe that each medium and form has attributes that allows it self certain advantages and disadvantages that if one is aware of will be a game of balance or imbalance. My quibble with Les Miserable is that for my taste the choices Tom Hooper makes were not the choices I would have made either during the act of creation or even after seeing the final piece.
 
I appreciate the hard work that all the actors did to give birth to this beautiful but flawed musical.
 
If he wanted the continuous take then tell your actors that that’s what you are going to do but edit it or have them record the songs separately.
 
This leaves me to think that he was actually playing the soundbites game of wow you did all the singing in one take for the whole day, what dedication. Unfortunately we do not judge only the effort we have to also judged the creation and save for the inspired work of Anne Hathaway or the flashes of brilliance of Hugh Jackman and the pitch perfect portrayal of the young Gavrosh everything else seems a poor off broadway performance not worthy of the musical that I so loved.
 
Because it is a film musical, not only a film, not only a musical, but a melding of the two and to sacrifice the musical to heighten the film part is a choice that a big part of me can just not accept.
 
PS I wrote this before reading the negative review from The New Yorker Magazine. This is unfinished but the seeds of the core of my disappointment is already here.

Update: Go read Lessig: “He was brilliant, and funny. A kid genius. A soul, a conscience, the source of a question I have asked myself a million times: What would Aaron think? That person is gone today, driven to the edge by what a decent society would only call bullying. I get wrong. But I also get proportionality. And if you don’t get both, you don’t deserve to have the power of the United States government behind you.”

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My friend Aaron Swartz committed suicide yesterday, Jan 11. He was 26. I got woken up with the news about an hour ago. I’m still digesting it — I suspect I’ll be digesting it for a long time — but I thought it was important to put something public up so that we could talk about it. Aaron was a public guy.

I met Aaron when he was 14 or 15. He was working on XML stuff (he co-wrote the RSS specification when he was 14) and came to San Francisco often, and would stay with Lisa Rein, a friend of mine who was also an XML person and who took care of him and assured his parents he had adult supervision. In so many ways, he was an adult, even then, with a kind of intense, fast intellect that really made me feel like he was part and parcel of the Internet society, like he belonged in the place where your thoughts are what matter, and not who you are or how old you are.

But he was also unmistakably a kid then, too. He would only eat white food. We’d go to a Chinese restaurant and he’d order steamed rice. I suggested that he might be a supertaster and told him how to check it out, and he did, and decided that he was. We had a good talk about the stomach problems he faced and about how he would need to be careful because supertasters have a tendency to avoid “bitter” vegetables and end up deficient in fibre and vitamins. He immediately researched the hell out of the subject, figured out a strategy for eating better, and sorted it. The next time I saw him (in Chicago, where he lived — he took the El a long way from the suburbs to sit down and chat with me about distributed hash caching), he had a whole program in place.

I introduced him to Larry Lessig, and he was active in the original Creative Commons technical team, and became very involved in technology-freedom issues. Aaron had powerful, deeply felt ideals, but he was also always an impressionable young man, someone who often found himself moved by new passions. He always seemed somehow in search of mentors, and none of those mentors ever seemed to match the impossible standards he held them (and himself) to.

This was cause for real pain and distress for Aaron, and it was the root of his really unfortunate pattern of making high-profile, public denunciations of his friends and mentors. And it’s a testament to Aaron’s intellect, heart, and friendship that he was always forgiven for this. Many of us “grown ups” in Aaron’s life have, over the years, sat down to talk about this, and about our protective feelings for him, and to check in with one another and make sure that no one was too stung by Aaron’s disappointment in us. I think we all knew that, whatever the disappointment that Aaron expressed about us, it also reflected a disappointment in himself and the world.

Aaron accomplished some incredible things in his life. He was one of the early builders of Reddit (someone always turns up to point out that he was technically not a co-founder, but he was close enough as makes no damn), got bought by Wired/Conde Nast, engineered his own dismissal and got cashed out, and then became a full-time, uncompromising, reckless and delightful shit-disturber.

The post-Reddit era in Aaron’s life was really his coming of age. His stunts were breathtaking. At one point, he singlehandedly liberated 20 percent of US law. PACER, the system that gives Americans access to their own (public domain) case-law, charged a fee for each such access. After activists built RECAP (which allowed its users to put any caselaw they paid for into a free/public repository), Aaron spent a small fortune fetching a titanic amount of data and putting it into the public domain. The feds hated this. They smeared him, the FBI investigated him, and for a while, it looked like he’d be on the pointy end of some bad legal stuff, but he escaped it all, and emerged triumphant.

He also founded a group called DemandProgress, which used his technological savvy, money and passion to leverage victories in huge public policy fights. DemandProgress’s work was one of the decisive factors in last year’s victory over SOPA/PIPA, and that was only the start of his ambition.

I wrote to Aaron for help with Homeland, the sequel to Little Brother to get his ideas on a next-generation electioneering tool that could be used by committed, passionate candidates who didn’t want to end up beholden to monied interests and power-brokers. Here’s what he wrote back:

First he decides to take over the whole California Senate, so he can do things at scale. He finds a friend in each Senate district to run and plugs them into a web app he’s made for managing their campaigns. It has a database of all the local reporters, so there’s lots of local coverage for each of their campaign announcements.

Then it’s just a vote-finding machine. First it goes through your contacts list (via Facebook, twitter, IM, email, etc.) and lets you go down the list and try to recruit everyone to be a supporter. Every supporter is then asked to do the same thing with their contacts list. Once it’s done people you know, it has you go after local activists who are likely to be supportive. Once all those people are recruited, it does donors (grabbing the local campaign donor records). And then it moves on to voters and people you could register to vote. All the while, it’s doing massive A/B testing to optimize talking points for all these things. So as more calls are made and more supporters are recruited, it just keeps getting better and better at figuring out what will persuade people to volunteer. Plus the whole thing is built into a larger game/karma/points thing that makes it utterly addictive, with you always trying to stay one step ahead of your friends.

Meanwhile GIS software that knows where every voter is is calculating the optimal places to hold events around the district. The press database is blasting them out — and the press is coming, because they’re actually fun. Instead of sober speeches about random words, they’re much more like standup or the Daily Show — full of great, witty soundbites that work perfectly in an evening newscast or a newspaper story. And because they’re so entertaining and always a little different, they bring quite a following; they become events. And a big part of all of them getting the people there to pull out their smartphones and actually do some recruiting in the app, getting more people hooked on the game.

He doesn’t talk like a politician — he knows you’re sick of politicians spouting lies and politicians complaining about politicians spouting lies and the whole damn thing. He admits up front you don’t trust a word he says — and you shouldn’t! But here’s the difference: he’s not in the pocket of the big corporations. And you know how you can tell? Because each week he brings out a new whistleblower to tell a story about how a big corporation has mistreated its workers or the environment or its customers — just the kind of thing the current corruption in Sacramento is trying to cover up and that only he is going to fix.

(Obviously shades of Sinclair here…)

also you have to read http://books.theinfo.org/go/B005HE8ED4

For his TV ads, his volunteer base all take a stab at making an ad for him and the program automatically A/B tests them by asking people in the district to review a new TV show. The ads are then inserted into the commercial breaks and at the end of the show, when you ask the user how they liked it, you also sneak in some political questions. Web ads are tested by getting people to click on ads for a free personality test and then giving them a personality test with your political ad along the side and asking them some political questions. (Ever see ads for a free personality test? That’s what they really are. Everybody turns out to have the personality of a sparkle fish, which is nice and pleasant except when it meets someone it doesn’t like, …) Since it’s random, whichever group scores closest to you on the political questions must be most affected by the ad. Then they’re bought at what research shows to be the optimal time before the election, with careful selection of television show to maximize the appropriate voter demographics based on Nielsen data.

anyway, i could go on, but i should actually take a break and do some of this… hope you’re well

This was so perfect that I basically ran it verbatim in the book. Aaron had an unbeatable combination of political insight, technical skill, and intelligence about people and issues. I think he could have revolutionized American (and worldwide) politics. His legacy may still yet do so.

Somewhere in there, Aaron’s recklessness put him right in harm’s way. Aaron snuck into MIT and planted a laptop in a utility closet, used it to download a lot of journal articles (many in the public domain), and then snuck in and retrieved it. This sort of thing is pretty par for the course around MIT, and though Aaron wasn’t an MIT student, he was a fixture in the Cambridge hacker scene, and associated with Harvard, and generally part of that gang, and Aaron hadn’t done anything with the articles (yet), so it seemed likely that it would just fizzle out.

Instead, they threw the book at him. Even though MIT and JSTOR (the journal publisher) backed down, the prosecution kept on. I heard lots of theories: the feds who’d tried unsuccessfully to nail him for the PACER/RECAP stunt had a serious hate-on for him; the feds were chasing down all the Cambridge hackers who had any connection to Bradley Manning in the hopes of turning one of them, and other, less credible theories. A couple of lawyers close to the case told me that they thought Aaron would go to jail.

This morning, a lot of people are speculating that Aaron killed himself because he was worried about doing time. That might be so. Imprisonment is one of my most visceral terrors, and it’s at least credible that fear of losing his liberty, of being subjected to violence (and perhaps sexual violence) in prison, was what drove Aaron to take this step.

But Aaron was also a person who’d had problems with depression for many years. He’d written about the subject publicly, and talked about it with his friends.

I don’t know if it’s productive to speculate about that, but here’s a thing that I do wonder about this morning, and that I hope you’ll think about, too. I don’t know for sure whether Aaron understood that any of us, any of his friends, would have taken a call from him at any hour of the day or night. I don’t know if he understood that wherever he was, there were people who cared about him, who admired him, who would get on a plane or a bus or on a video-call and talk to him.

Because whatever problems Aaron was facing, killing himself didn’t solve them. Whatever problems Aaron was facing, they will go unsolved forever. If he was lonely, he will never again be embraced by his friends. If he was despairing of the fight, he will never again rally his comrades with brilliant strategies and leadership. If he was sorrowing, he will never again be lifted from it.

Depression strikes so many of us. I’ve struggled with it, been so low I couldn’t see the sky, and found my way back again, though I never thought I would. Talking to people, doing Cognitive Behavioral Therapy, seeking out a counsellor or a Samaritan — all of these have a chance of bringing you back from those depths. Where there’s life, there’s hope. Living people can change things, dead people cannot.

I’m so sorry for Aaron, and sorry about Aaron. My sincere condolences to his parents, whom I never met, but who loved their brilliant, magnificently weird son and made sure he always had chaperonage when he went abroad on his adventures. My condolences to his friends, especially Quinn and Lisa, and the ones I know and the ones I don’t, and to his comrades at DemandProgress. To the world: we have all lost someone today who had more work to do, and who made the world a better place when he did it.

Goodbye, Aaron.

via RIP, Aaron Swartz – Boing Boing.

In the end, the death spiral for Microsoft is in full effect, and management is expending a lot of effort to speed it up. Anyone who dares point out that the entire system is collapsing, or worse yet suggests an alternative, gets Sinofsky’d. Or was it Guggenheimer’d? In any case, Microsoft is unwilling to change, and that is very clear. Even if they wanted to, they are culturally far beyond the point of being able to. What was a slow bleed of marketshare is now gushing, and management is clueless, intransigent, and myopic. Game over, the thrashing will continue for a bit, but it won’t change the outcome. Microsoft has failed.S|A
via Microsoft has failed | SemiAccurate.

Donnie Andrews, inspiration for Omar character on ‘The Wire,’ dies
By Justin Fenton and Jessica Anderson, The Baltimore Sun
6:57 PM EST, December 14, 2012
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Like the television character he helped inspire, Donnie Andrews lived by a code.
In his earlier years when he was robbing rival dealers as a young hustler in West Baltimore — experiences that would later form the basis for the popular Omar Little character on the Baltimore crime drama “The Wire” — he vowed to never involve women or children in his crimes.
But after confessing to a murder and helping authorities bring down a crime syndicate, he took on a different mission: working to prevent youth from going down the same path that he did.
Andrews died Thursday following heart complications while in New York City, where he was attending an event as part of his efforts to promote a non-profit outreach foundation. He was 58.
“Donnie was truly a rare bird, a fierce street warrior who had been to hell and back,” said Sonja Sohn, an actress who worked with Andrews in youth outreach, “and lived not only to tell about it, but to transform that pain and darkness into the brightest of lights, infused with the love he had for youth and communities suffering from the injustices of that life, often times, unfairly doles out to those born with the short end of the stick.”
Andrews, whose full name was Larry Donnell Andrews, had been around violence most of his life, physically abused by his mother and watching at age 10 from behind a washing machine as a man was bludgeoned to death for 15 cents. He grew up in the housing projects of West Baltimore, where he was mentored by hustlers and drug dealers. He became a stick-up artist, robbing other drug dealers with a .44 Magnum.
via Donnie Andrews, inspiration for Omar character on ‘The Wire,’ dies – baltimoresun.com.