The bizarre good cheer of Smoky Mountain undoubtedly says a lot about the Filipinos’ spiritual resilience. But like the sex industry, which is also fairly cheerful, it says something depressing about the other choices people have. When I was in one of the countless squatter villages in Manila, talking with people who had built houses out of plywood and scavenged sheet metal, and who lived eight to a room, I assumed it must be better to be poor out in the countryside, where at least you had some space and clean air to breathe. Obviously, I was being romantic. Back home there was no way to earn money, and even in Smoky Mountain people were only a four-cent jeepney ride away from the amusements of the big city.
In Smoky Mountain and the other squatter districts, I couldn’t help myself: try as I would not to, I kept dwelling on the contrast with the other extreme of Filipino life, the wealthy one. The contrast is relatively hard to see in Manila itself, since so much of the town’s wealth is hidden, literally walled up in the fortified “villages.’ But one day, shortly after I’d listened to scavengers explain why some grades of animal bone were worth more on the resale market than others, I tagged along with a friend and visited one of Manila’s rich young families in the mountains outside town.
To enter the house we had to talk our way past a rifleman at the gate–a standard fixture not only of upper-class areas of Manila but also of banks, office buildings, McDonald’s–and then follow a long, twisting driveway to a mountaintop palace. The family was, of course, from old money; they were also well educated, public-spirited, sincere. But I spent my day with them in an ill-concealed stupor, wandering from room to room and estimating how many zillions of dollars had been sunk into the art, furniture, and fixtures. We ate lunch on the patio, four maids in white dresses standing at attention a few paces off, each bearing a platter of food and ready to respond instantly when we wanted more. Another maid stood behind my chair, leaning over the table and waving a fan back and forth to drive off any flies. As we ate, I noticed a strange rat-a-tat sound from inside the house, as if several reporters had set up a city room and were pounding away on old Underwoods. When we finished our dessert and went inside, I saw the explanation. Another two or three uniformed servants were stationed inside the cathedral-like living room, incessantly twitching their flyswatters against the walls.
via A Damaged Culture: A New Philippines? – James Fallows.